The Boomer Gallery - The Dark Side: 4th Edition
- Tania tatti
- Jun 30
- 2 min read
Updated: Sep 6
• Boomer Gallery London
• Deadline: July 2nd, 2025
• Theme: The Dark Side
• Prize: Exhibition in London + Exposure
• Entry Fees: Free Submission (Pay if Selected)
• REGISTRATION: CLOSED. Click HERE for more Opportunities
Few vocations mirror the solemn, meditative isolation of monastic life quite like that of the visual artist. Some may bristle at the analogy, yet linger on the image: a lone figure standing before a canvas, palette knife poised as though in prayer, surrounded by pigment-smudged rags and half-finished sketches pinned like quiet petitions on the walls. Outside the studio, the world gallops forward; inside, time decelerates until each heartbeat feels like an aeon. Hour after silent hour, the artist navigates an inner labyrinth, layering colors and scraping them away, listening for the elusive thrum that signals a work’s hidden life seeking release.
But the sanctum is not always safe. Emotional equilibrium trembles like a candle in a draft. That nondescript chair in the corner—its upholstery frayed to the frame—marks the front line of an invisible war. It is where the artist slumps in exhaustion, head in hands, interrogating every mark: Does this canvas speak my truth or merely mimic a fashionable echo? The air grows thick with questions that refuse easy absolution, questions that swirled through Van Gogh’s attic room and drift now through countless studios across continents. Here, creativity and vulnerability are inseparable twins, each pulling at the other’s sleeve.
The exhibition before you is designed as a delicate bridge spanning two worlds: the intimate twilight of the atelier and the bright, curious gaze of the public. By bringing these artworks—cradled in solitude—into communal light, we aim to celebrate the mysterious grace that germinates unseen. Enter, and you may glimpse the austere beauty that flowers only in rooms where silence, doubt, and devotion have spent long, tumultuous nights together.
